The Lost Art Of Stretching

February 27, 2007

I’ve been waiting patiently for gym members to provide me with the inspiration for a post on stretching and flexibility. I’ve been on the lookout for things like:

  • Ballistic stretching (bouncing)
  • Painful stretching
  • Over stretching (taking muscles and joints well past natural limits)

However, I found something even more alarming when it comes to members’ regular stretching … absolutely nothing.

I grew up during the golden age of fitness, when people like Joe Weider championed the idea of a “fitness tripod” - a sturdy foundation of physical wellbeing consisting of muscle strength, cardiovascular fitness and improved flexibility. Nowadays, people obsess over weight loss, fad diets and supplementation, discarding the fundamentals of total body health.

At a minimum, thorough stretching prior to working out reduces the risk of injury. On my heavy leg days, I get added confidence from a good stretch of my quads and low back. On chest day, some form of a doorway stretch always feels great and helps defend against a rip in the pectorals. I also began regular shoulder stretching years ago after a rotator cuff tear, speeding my recovery and minimizing the risk of future problems.

Furthermore, there is a synergy between muscle tone and flexibility. Contrary to the myth of the musclebound athlete, bodybuilders who work their muscles through a full range of motion enhance their flexibility in areas such as legs and low back; just think about the repeated stretching required by a set of deep squats or hyper extensions. On the flip side, even professional bodybuilders have claimed success lengthening and firming calves and lats through a serious stretching routine.

Just remember: aggressive, reckless stretching is as dangerous as combining heavy weights with sloppy form. Always warm up a cold muscle first with light cardio. And never try to imitate something you’ve seen from an Olympic gymnast … but I guess that’s a story for another post.


Seductively Simple

February 22, 2007

I’m not kidding when I say that folks struggling with good form should focus first on doing just one clean, quality rep. I can think of a number of bodyweight exercises where this rule applies: crunches, dips and certainly unassisted pull-ups.

Today at the gym, however, I saw another kind of one rep exercise that is most definitely not what I have in mind. It’s the all too familiar group of guys who prepare for bench presses by loading a minivan onto each side of the barbell.

The terrible form, sure to follow, doesn’t defeat just the philosophical purpose of my “one rep” rule. On a physiological level, the only possible benefit derived from singles is the strengthening of ligaments - an advantage clearly outweighed by the increased risk of injury. One rep max lifts grow very little muscle, contrary to the hopes of high school football players and frat boys. Just compare the muscularity between Olympic weightlifters and serious amateur bodybuilders.

Nevertheless, a discussion of muscle biology misses a far more interesting sociological point. These guys load up a bunch of weight so they can lean conspicuously against their barbell and grin idiotically when attractive women pass by.

In fact, I think there is an opportunity here to launch the next innovation in seduction techniques. Go ahead and load up your barbell - stand around - but don’t actually lift at all. The most productive part of the max workout comes from the effort loading and unloading several 45 lb plates anyway. Why find yourself lying on the bench, wasting a few precious seconds, when the next HB 10 walks by? Most importantly, why risk breaking a sweat?

There can be too much of a good thing, however. Just because one rep is too few doesn’t mean that peak muscularity comes from doing 50. The muscle building sweet spot is somewhere between six and eight reps per set (for women, I’ll call it the muscle toning sweet spot). Scientific studies also encourage a little variety in your workout: 6-8 reps to work the explosive “fast-twitch” muscle fibers, 10-12 reps to stimulate the endurance “slow-twitch” fibers.

Either way, you should be using a weight heavy enough that you experience muscle failure by the tenth, maybe twelfth rep. You’re just cheating yourself on multiple levels if you pick a weight with which you can do 30, but simply stop at 10. Regardless, once you enter the 12-15 rep range and beyond, your workout becomes a form of endurance training, not muscle building.

Besides, if you can really do dozens of reps - particularly when it comes to abs – you’re probably not doing the movement right at all.


Hard Gainers

February 18, 2007

Although a certain segment of the population goes out of its way to avoid making progress in the gym, hard gainers – or “hardgainers” (an actual fitness term of art) – find their bodybuilding dreams limited by mediocre genetics. Experts in the field estimate that somewhere between 60 and 95 percent of people are hardgainers.

These figures aren’t all that surprising. In any sport, a few elite athletes set the standard for legions of amateurs. And besides, statistically speaking, most people are average.

I, however, would like to advance a new theory. In my estimation, when it comes to building muscle, the problem is that 60 to 95 percent of people have no idea what they’re doing.

Today at the gym I watched a couple younger guys make an absolute mess of their back workout. They performed sets of t-bar rows and barbell rows with their posture nearly ramrod straight, transforming these excellent mass builders into sloppy bicep curls.

Then there are the folks who turn a simple set of abdominal crunches into a chiropractor’s nightmare. Lying on the floor, they wrap their arms tightly around their heads, and yank their chin into their upper chests over and over. I don’t know which is more remarkable – the 30, even 50, reps per set performed this way, or the ability to spend this much energy on abs without tapping even one stomach muscle fiber. Either way, I urge you people, why don’t you start by trying to execute just one clean crunch – fingers behind the ears, chin up, strong contraction in the abs. Just one.


24 Hour Fitness

February 16, 2007

One of the most underrated – underhyped – benefits of weight training is the 24/7 calorie furnace created by slabs of lean muscle. Much like the basketball player who’s still 6’10” even when he’s tired, your toned physique is burning fuel when you’re on the couch watching TV, or even asleep.

Meaningful lean mass is achieved by developing the body’s largest muscles (legs, back and chest) through exercises that, naturally, hurt the most. I’m referring to the moves that make a difference: squats, deadlifts, rowing movements, various kinds of presses.

Unfortunately, folks at the gym throw away daily this round-the-clock fitness opportunity. And of course, the worst offenders are usually the people who need it most. I see flabby middle-aged women wasting their time with moves like one-arm tricep pulldowns or concentration curls. I shake my head watching paunchy guys perform isolation exercises like pec-deck flys or leg extensions. All these movements should belong exclusively to serious bodybuilders, who are looking to bring out the striations in their already-meaty legs, pecs and arms.

The most depressing part is that these folks are often exercising under the close watch of personal trainers. People with limited time and limited goals should especially be directed toward major compound movements; key exercises like rows and presses work smaller muscle groups – shoulders, arms – at the same time.

One of these days I’m going to have to step in and give a free lesson myself.


Perfect Form

January 31, 2007

Over the last week, I’ve been pondering ways to increase the readership of this blog. Today, as I stared into a grocery store’s magazine rack, the idea hit me. If established fitness periodicals can use this gimmick to boost circulation, so can I. Flex magazine put on its cover a young Arnold Schwarzenegger.

I’ve often thought about why Arnold continues to inspire fitness enthusiasts nearly three decades after his retirement from professional bodybuilding. He hasn’t even appeared shirtless in a movie in any significant way since the early 1990’s.

Arnold’s main appeal can’t be his size in his prime. Professional bodybuilders these days run thicker with better definition. Mr. Olympia 2006 stands 5’9” at 275 lbs, compared to Schwarzenegger’s championship reign at 6’1”, 245 lbs. Incidentally, this is no dig at Arnold. Today’s gym equipment is better, the science of fitness is more advanced, and the … umm … performance enhancers probably give you more bang for the buck.

In my opinion, the continued fascination with Arnold results from the classic, sweeping artistry of his physique. Many of Arnold’s aesthetic gifts can, of course, be attributed to his good fortune with genetics. Take a look at his biceps. The typical bicep muscle terminates about an inch ahead of the forearm, while Arnold’s bicep fills the entire space between his front shoulder and elbow. Arnold The same principle applies to Arnold’s back. My lat muscle ties in around the middle of my rib cage. Arnold’s wings taper off virtually at his waist.Arnold

But there’s a second factor at work: Arnold was a perfectionist when it came to proper lifting form. Beyond genes, Arnold’s long, graceful lines are the result of muscles worked in a controlled fashion through a full range of motion. His superior lifting technique lengthened his muscles and engaged the largest possible number of muscle fibers.

Walk into a gym today, however, and you’ll find people performing all manner of abbreviated lifts: pull-ups that reach neither peak contraction at the top nor full extension at the bottom; overloaded squats that result in no serious bend in the knees; bicep preacher curls that stop a good 20 degrees short of straight arms. Excessive weight, laziness and all around bad habits have turned core lifts into a real live exercise in futility.

What was true in Arnold’s day remains true today. Progress is not determined by how much weight you can move, but how much weight you can move with perfect form.